The iPhone Post (Part the First)

This was the fifth day in a row, and it was starting to get ludicrous. iPhone 3GSs were still out of stock at the Apple store, just like they had been for the last week. Across the street, two girls in smart black shirts and beige skirts presided over a forlorn looking Telstra store, empty even at the lunchtime rush. Knowing it was out of stock, I was hanging around to idle away the time, in no rush to return to work earlier than the full allotted hour.

Playing with the display model, I suddenly realised a shortcoming – there was no character count in the SMS composer, an absurd oversight given the number of Twitter apps that did exactly the same thing on the same device for a slightly different purpose. Did Apple think iPhone users didn’t care how many messages they sent? The seamlessness of the conversation layout made it all too easy to ramble on a little. The spell of the perfect phone was broken – how could I ever think to give up the speed that I had with the physical keys and the T9 dictionary on my two-and-a-half year old Sony Ericsson? Perhaps it was time to reconsider, to go for a Nokia N96, with its brilliant camera and physical keys.

That was when I noticed a rush – well, an orderly but high-speed stream – of people downstairs, away from where they’d been similarly playing with iPhones. I glanced at a store employee, who surely knew who I was by now, that same guy who came in on a late lunch every day and asked if there was stock in yet. He grinned, nodded, and said, “Stock just came in – go downstairs to grab it.”

Any lingering doubts were extinguished by the little boy inside screaming for his new toy now now now.

The queue was already across the entry, and snaking around. There were 5 tills ringing up sales of the unlocked phones at the same time, but even that wasn’t enough to get through the people waiting. Two additional tills were made available for those signing up for a plan, but the line for that was only 4 long. The line for people spending nine hundred, a thousand dollars, for a shiny new toy was at least 20 deep already, and we were being told that we could only get two to a customer, to the disappointment of at least one customer. Recession? What recession?

While I told of my story of coming in every day for a week, others told of waiting two weeks, the top of the range having sold out on the day of the launch. As we inched forward in the line, the music played an endless series of cheesy pop, and an security guard taunted by idly playing with his iPhone. A ripple stirred as someone wondered if there would be enough stock for the whole queue, to which we were assured that there was sufficient stock, “at least for today.” The salt in the wound was another employee placing a brand new poster by the entry of the retail availability page, finally deployed to Australia. Some had their old phones out, as though feeling the heft of a device soon to be made redundant. Still we waited.

An hour and a half into my hour long lunch-break, I had a compact little black brick in my hand, small but unbelievably heavy for its size. Alas and alack, I needed to get home to activate it. This would be the longest Friday afternoon ever.

Tuesday Afternoon

It’s only Tuesday and it’s already a slow week. Here’s a couple of links for you:

Somali Cruises – the hot new cruise/adventure holiday destination!

We sail up and down the coast of Somalia waiting to get hijacked by pirates. We encourage you to bring your ‘High powered weapons’ along on the cruise. If you don’t have weapons of your own, you can rent them on the boat.

We guarantee that you will experience at least two hijacking attempts by pirates or we will refund half your money back, including gun rental charges and any unused ammo (mini gun charges not included).

Unfortunately we’ve missed the June 29th deadline for getting a 100 free rounds of tracer ammo.

And not at all related: did you know June was Goat Trauma Awareness Month? Why does nobody tell me about these things? How is the awareness going to spread?

The Childhood Goat Trauma Foundation was created in 1982 by a small group that originally came together as a an informal support group for problems that were the result of traumatic experiences at petting zoos as children. This group realized that there were many others out there who were afraid to come forward with their horrific stories and wanted to find some way to help as many people as they could. The Childhood Goat Trauma Foundation is the result of their dream.

Check out the Goat Trauma News and Goat Trauma in Action sections. It’s a serious issue people.

Can’t talk

It’s amazing how a sense of an unspoken privacy policy holds you back. You can’t blog about work, because that’s naturally privileged information, but then when you’re unemployed and looking for work, you can’t talk about the interviews you’re taking because that too isn’t something you want to broadcast. Rock and a hard place.

I’ve now gone through about 6 books in the last 3 weeks. I thought this would be a chance to catch up on movie watching, but my attention span is so skittish right now I’ve been only reading books, which I can in theory put down at any time. But usually end up reading for hours on end before realising it’s 3 PM (again) and I’ve forgotten to do X, Y and Z. Again. But then you think, oh, I can just do that tomorrow, right?

Wrong. But you saw that coming.

You won’t do it tomorrow any more than you did it today. Tomorrow adds another four items to your to-do list, but since you haven’t got any structured activity scheduled, you end up skipping that anyway. I’m thankful that I’ve had a few interviews at semi-regular intervals simply for the target that it gives me at some point during the day.

It’s also simply amazing how much stuff there is out there on the net. I think I spent half of yesterday watching TED talks on topics as far ranging as the role of language in framing our thoughts to card tricks. There’s a fascinating universe of things that you never touch in your day to day existence, and if I had the time, talent and money I would attempt to get as broad an education as possible, following threads of interest until the interest dies and I must switch to a new field. (Yay for mixed metaphors, eh?)

In other news, it’s freaking freezing here in Sydney. Sydney’s not supposed to be cold! Even in winter!

Teevee

I was having a look at recent posts and noticed I hadn’t really mentioned all the TV I’ve been watching lately. Years ago I was a total anime fanatic, and that occupied most of my time and attention span for stories. Over the years I fell out of love with the whole anime universe as stories became cliched or entirely disconnected to believability, unable to sustain a coherent plot over a season.

This coincided nicely with a resurgence of proper TV shows, as reality TV is exposed for its vacuous emptiness. The only “reality” show I give any credit to is The Amazing Race, which is more of a competition than the artificial realities of most comparable shows.

That aside, there’s some quality around. Here’s a list of TV shows I’ve been watching, to varying degrees:

The Brilliant Ones

  • Mad Men: This show is brilliant, brilliant, brilliant. Mad Men is set in an advertising agency, Sterling Cooper, in Madison Avenue, New York. Starting from 1960, the show depicts an America at its cultural peak, just as society starts to change. Sexism is rampant, racism entrenched, and political correctness unheard of. Men are men and women are damsels at best. The sensibility of this show is very much movie-like, with camera work, lighting, and pacing all very unlike the usual stuff you find on TV. This show doesn’t muck about – the story moves with pace, characters change in reaction to events, and the twists are occasionally brutal. It’s pure drama and well worth the effort to get in to. Currently showing on SBS, Thursdays.
  • 30 Rock: A complete 180 from Mad Men is the chaos of 30 Rock, a comedy set on the set of a Saturday Night Live-style show. Starring and created by the genius of Tina Fey, 30 Rock is like a fine wine – you can enjoy it as a quick route to getting drunk, or take time to savour it – there’s the headline laughs, and the far more subtle ones. There’s usually three plot-lines going at any one time, and the show builds on both its own universe and very topical references from the real world week to week. Great intelligent humour, but unfortunately neglected on Australian TV, relegated to late Monday nights on Channel 7, in the slot formerly occupied by Scrubs (now moved to a more reasonable time).
  • The Hollowmen: Australian Political Satire at its finest. This series, created by the brilliant team from Working Dog Productions (Santo Cilauro, Rob Sitch, Tom Gliesner and Jane Kennedy, of Frontline and The Panel fame), started shortly after Kevin 07 charged into Canberra and captures a very Yes, Minister vibe, set in the “Central Policy Unit”, an advisory team created by the Prime Minister (never seen on screen) essentially to manage PR and spin. It’s completely opaque in its style, appearing to be a documentary with all the characters played with a straight face and realistic grounding – I can certainly believe it’d be based on a true story. It’s also something completely opaque to those not interest in Australian politics. Can’t wait for the next season.
  • Entourage: I’m pretty late coming to this party, by the looks of things – after all, there’s been 5 seasons of this stuff, and it’s got to the point where it’s lost some of it’s edge and freshness that it had early on. Still, that doesn’t stop it being a great mix of both comedy and drama, all set in the glam of Hollywood. While I’ll admit to being annoyed a little by the repetitive plot threads (Vinny misses out on the sleeper hit again? E sacrifices for Vinny again?), I think the last couple of episodes in season 5 sealed the deal. I’d just like to see more of Debi Mazar as the no-nonsense PR agent. Kick-ass.
  • The Daily Show: Must. Watch. Go, now.

The Potentials

  • Castle: I’ll admit I’m not exactly up on my CSI or Bones universe, and this may well just be taking plot lines from there and bending that into Castle‘s universe, but dammit, it works. Nathan Fillion stars as murder mystery writer Rick Castle, who has just killed off his main character out of boredom, when he runs into Kate Beckett, NYPD homicide detective. There’s sparks, there’s sexual tension, there’s a black humour/comedic tone to the proceedings, and there’s a element of drama too. Rick Castle has a reasonably realistic life outside the three-word headline profile, something that seems to be missing from so many shows. Also, how could you go wrong with wisecracks and action? (Ch. 7 Sundays 9:30).
  • The Tudors: This is a literal yet-to-be-seen, as I’ve not had time to properly devote myself to a period piece, though by all reports it’s certainly not your typical period piece. Taking the story of Henry VIII (yes, the one with the 6 wives) and adding a splash of Showtime sensationalism (read: sex scenes, and how), it has some devoted fans amongst my friends and so comes as a suggestion.
  • Dollhouse: … meh, meh. Allegedly the latest from Joss Whedon, he of Buffy, Angel, Firefly, and Dr Horrible’s Sing-a-long Blog fame, delivers a show that it part sci-fi, part action, part-drama. It’s crossing too many right now, and the first few eps have left me mostly cold, despite starring Eliza Dushku for one and being a Whedon production. Perhaps he’s painted himself into a bit of a corner by relying on a main character who knows less than everyone else, hence none of the usual wise-ass chat that comes out of Whedon’s characters.
  • The Gruen Transfer: ABC’s Wednesday night show all about advertising. Hosted by Wil Anderson and featuring a weekly panel of advertising experts, this is a fairly good show to watch to get an insight into the (modern) advertising mindset. Can’t help but feel bits of it are a bit too stretched though, and sometimes you wonder if the advertisers are believing their own lies. Still, worth watching if only for regular doses of Wil Anderson.
  • The IT Crowd: I’m usually good with British comedies, but this one hasn’t quite grabbed me yet. Will give it a chance, as I’ve only seen one ep thus far.
  • Dead Like Me: For the anime affectionados out there, think Bleach Live Action. For everyone else, it’s basically that a girl dies, and becomes a grim reaper. I’ve yet to actually watch, but I’ve been given it by a friend and it comes highly recommended. Noted for the record.

The Relegation Zone

  • Lost: that shit got too convoluted. If someone can hand me a crib sheet when it’s all over, I’ll try catching up.
  • Heroes: lost it somewhere during the WGA strike, never properly came back.
  • Merlin: The BBC re-invent the legend of Merlin & King Arthur along the lines of their recent re-invention of Robin Hood… except they really cock it up. Arthur isn’t a nobody waiting to claim the throne, he’s an adolescent prince, son of King Uther Pendragon (Anthony S. Head btw, of Buffy fame). Merlin isn’t an all-powerful sorcerer, he’s a young boy, around the same age as Arther. Guinevere is Lady Morganna’s maid, and Lady Morganna (Morgan le Fay by any other name?) herself is a ward of the King. Lancelot isn’t a knight and can’t be one because he’s not of noble blood. Oh and Camelot is already well-established. Madness.
  • Secret Diary of a Call Girl: Started off with potential, diverged from the original material to the point where it became just another drama, with a bit of sex on the side.

Hall of Fame

  • Top Gear: I don’t think I need to explain this one much, eh? The Australian incarnation isn’t too bad either, finding its feet a bit more in the second season now, with a switch of presenters, though it still doesn’t have the same devil-may-care attitude of the BBC version.
  • Futurama: Another that needs no introduction. The latest tele-movies have gotten a bit… strange… but that shouldn’t diminish this show’s legendary status.
  • Numb3rs: Yes, the 3 in the title is a bit of a “wuh?”, but there’s something about the characters and plotting in this…
  • Hotel Babylon: brilliant British drama-comedy set amongst the staff of a fictional 5 star hotel in London.
  • Arrested Development: Oh, what I’d give to hear another “This is Arrested Development.” – this show was the definition of dry comedy. Love it.

This is Epic

So I’ve been watching NBA recently, thanks to the manna-from-heaven that is One HD, Australia’s first 24/7 Free to Air sports channel (NBA, IPL, AFL in Sydney… this channel defines awesome – clever move, Channel 10). And yesterday, the most amazing finish to a basketball game I’ve ever seen, or at least not through replays – Cleveland Cavaliers are down by 2 points to Orlando Magic, 1 second to go, home game, second of the best-of-7 semi-final. They’ve just called a timeout, and when the clock starts again LeBron James, MVP, the figurehead of the Cavs, steps up and lands a buzzer-beater 3 point shot that cements his rep as both MVP and “King James”.

This shit is epic, son:

Lights Go Down

There’s a song you probably have never heard by Basement Jaxx called Lights Go Down that just has to be heard with the world around you just so – possibly the most ideal would be at sunset, as I’ve experienced it a couple of times while walking home with the lights of the world dimming slowly.

The song doesn’t spend long building – the complexity of the song is there from nigh on the first note, and it remains a beautifully complex song throughout. Were you to seperate out the components, I could easily imagine four, maybe five distinct tracks coming out in the simplest parts of the song, and it is without a doubt one of the finest demonstrations of stereo equipment.

Add to this mix the mysterious voice, slight choral echo and the plain and repeated but haunting lyrics layered on top, this song takes on new dimensions. The lyrics are as simple as the following:

And when the lights go down
That’s when it bites just a little
Bites just a little more
And when the lights go down, down
That’s when I die just a little
Wanna get high just a little more

When the curtain falls
And there’s no more applause
When the party’s over
And there’s no one to hold ya
Look inside yourself and find
Your own light to ease your mind

… and that’s it, just repeated – but not so as you’d notice.

I’ve yet to find a song that can change my mood so drastically. It’s not necessarily change-for-worse, either – there’s almost a happy melancholia to it that means you can take out whatever you want from it. And ultimately, the message is a positive one.

Just thought I’d share :)

A Couple of Characters

Octavia – a.k.a. Tavia, Tavvie, Tavs; she is 5’4″, olive skinned, dark brunette mid-back-length hair with brown eyes. You wouldn’t call her a model or stand-out beauty, but she has a certain winning quality to her, and a smile that lights up her whole face. Generous and loyal to a fault, occasionally self-absorbed but always has an impeccable memory for friends & acquaintances and their situations. Talkative and decisive, quick to anger but also quick to forgive. Curious about the world, having travelled extensively with parents as a child.

Claudius – a.k.a. Claudio, Dio – never Claude; he is 5’11”, mixed race (North & South European, so not neccessarily an exotic mix), fair-to-olive complexion, black hair of variable length to shoulders depending on style, with grey-blue eyes. Self-conciously handsome, he is shy despite appearing to have all the qualities necessary to behave enitrely the opposite – leads to being a bit of a loner type, few good friends only. Muscled from manual labour helping with the family business, not artificial gym muscles. Slow to anger, but can hold a grudge until payback has been dealt. Free with laughter and quick-witted when comfortable.

Tavia and Dio both need a home in a story – I have had one stewing for the past three months and it has got no further than these two childhood friends bumping into each other and going for a coffee – the dearth o,f story is immense, and finally I have canned it. These are good characters though, who can be pulled & prodded any way you’d like. I reserve the right to use them in a story in future, but for any/all the story writers out there, I’d be pleased to see you use them ( & link us if you do!)

Calvin and Hobbes love

This is why I love Calvin and Hobbes.

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There’s no other ostensibly kids comic in the world that could do something like that. Just gorgeous.

Australia Day

Woo Australia Day! Barbeques, sunshine and whatnot.

Now that I’ve experienced sunburn for the first time in my life (stupidity in leaving out key areas when applying sunscreen yesterday at the beach) and decided it’s not a pleasant experience (no, really, I mean, I understood that before, it’s just more personal now –  the idea that your skin has had a slow-cooking process in the sunshine was never attractive, but to keep feeling it for literally hours after you’ve left the sun? Not fun.), I feel all that much more Australian. Barring the bit where I’m not cheering for Australia at the cricket (not until they’re the underdog, and I reckon (hah) that there’s nothing more Australian than that), there’s something unmistakable about the fact that we take the piss out of our national day by honouring such time-worn cranks as Sam Kekovitch and his message to go forth and slaughter the lambs. Other nations have parades, military and non, on their national days; we view it as a well deserved break shortly into the New Year, a chance to further soak up the summer, usually just before we bed down in earnest for work, what with the kids returning to school this week too.

So to all those over-the-top flag-waving alleged patriots I saw yesterday, before Australia day even, pull your heads in and remember Australia’s not America, and we don’t need to proclaim our allegiance to the country so bloody loudly.

(If there’s a more inane and empty chant than the shout of Aussie Aussie Aussie, Oi Oi Oi anywhere in the world, I’ll happily dine on hat a la mode.)

High Fidelity

High Fidelity, by Nick Hornby, an extract:

I see a woman on her own, Saturday -night-smart, off to meet somebody somewhere, friends, or a lover. And when I was living with [the ex] Laura, I missed… what? Maybe I missed somebody travelling on a bus or tube or cab, going out of their way, to meet me, maybe dressed up a little, maybe wearing more make-up than usual, maybe even slightly nervous; when I was younger, the knowledge that I was responsible for any of this, even the bus ride, made me feel pathetically grateful.

Hot damn. The ‘I’ here is ostensibly Rob, a 35 year old who has just broken up and is taking it a little badly. Something about this passage did more than strike a chord, though – it’s an insight into the male condition, in many ways, when it comes to dealing with the fairer sex.

This book is fairly brilliant, by the by, though I’d recommend it to single and/or recently seperated guys first before all others. I’ve gone out and gotten the film too, but from the opening moments I was disappointed to find the story was transposed to New York. It somehow fits better in London, or perhaps that’s my own familiarity with London taking precedence.

In any case, worth a read.