Thoughtfully written behind-the-scenes peice from a juror serving on a homicide trial:
At some point, one of the older women gets out her makeup kit and gives Ally a makeover. This is literally a scene from The Breakfast Club. Edith looks up from a game of solitaire and casually mentions that she actually thinks the murder was committed by the accomplice, who was never found and is not on trial. But since the defendant’s lawyer did such a poor job exonerating him, she concludes, she’s going to deliver a guilty verdict. My jaw drops. No one questions her obviously flawed reasoning, because she’s on their side.
Molly mentions that she watched 12 Angry Men over the weekend.
“It’s so good,” she says. “It’s just like this.”
Brilliant perspective on how people interact and how flawed jury trials can easily become. It takes just one informed person acting on principle to swing that, and it’s scary how easily it could go the other way.
What does one say about a series like Star Wars that you haven’t already heard? It’s such a pop-culture phenomenon that you’d be hard pressed to avoid it in any English-speaking country. The revival of Star Wars by Disney’s purchase of the rights from George Lucas was huge, and with Episode VII, The Force Awakens, we can see just how huge the juggernaut can get. I went to watch it on Friday, a whole 42 hours after its release on midnight Thursday, and I already felt like I was out of the loop for almost two days.
Still, the experience is unique in its own way: the lights go down, the trailers end, the screen goes dark… and then those words appear – A long time ago, in a galaxy far, far away… cue the fanfare.
The Star Wars experience is as codified as a fairy tale starting with “Once upon a time”, and the rush of seeing it in a full theatre is equal for fans and non-fans alike – you can’t help but be caught up in John Williams’ score, or the scale and scope of the visuals that march across the screen. This is a sign the fun’s just getting started.
The Force Awakens starts with a thirty year jump from the end of Return of the Jedi (and in the real world, it has been over thirty years since as well, so this is only too apt). Luke Skywalker is missing; the galaxy is not yet wholly under the New Republic; the Rebel Alliance still relevant as the Resistance, who fight the remnants of the Empire in the form of The First Order. Leia is a general in the resistance, and sends a pilot, Poe Dameron, to track down a map to the whereabouts of Skywalker. He’s being tracked by The First Order, who want to prevent the return of Skywalker as much as they want to re-establish control over the Galaxy.
Since it’s still so close to the release, I’ll tuck the rest away under a break for spoilers…
Continue reading Movie Review: Star Wars: The Force Awakens